Propellerhead Reason 6.0.2 (Mac OSX)

Propellerhead Reason 6.0.2 (Mac OSX) | 3.42 GB


Reason is a virtual studio rack with all the tools and instruments you need to turn your ideas into music. It emulates a

rack of hardware synthesizers, samplers, signal processors, sequencers, and mixers, all of which can be freely

interconnected in an arbitrary manner.
Reason can be used either as a complete virtual music studio or as a collection of virtual instruments to be played live or

used with other sequencing software. With its generous sound bank and intuitive flow, Reason helps you along in the creative

process and is the music software that never gets in your way. Walk into any professional recording studio and you will see

racks filled to the brim with different tools used in music production from reverb to compressors, vocoders, synths,

distortion units, and parametric EQs. Unlike a real studio, however, if you want another synth or an extra compressor you

can create one from a menu rather than taking that second job or signing up for those experimental clinical drug trials.

Included with Reason is a huge sound bank full of inspiring instruments, synth patches, loops, and effects. Patches have

been created by producers like Death Cab for Cutie's Jason McGerr, Bomb Squad's Hank Shocklee, Black Eyed Peas' Printz

Board, DJ Lucky Date, Kill the Noise, and more.

Basic Devices:
- Hardware Interface - The Hardware Interface handles the connection between software and hardware and supports up to

sixty-four separate outputs. As it is integral to Reason's functionality, it cannot be removed.
- Mixer 14:2 - Reason's mixer is used to group numerous device outputs into a stereo output. It has fourteen stereo channels

with level meters, fixed bass and treble EQ and four stereo auxiliary sends. It is possible to mute or solo any given

channel, as well as alter its level, pan and auxiliary output level. The console has chaining master inputs to allow several

line mixers to be daisy chained together, effectively allowing for an unlimited number of channels.
- Line Mixer 6:2 - Similar to the Mixer 14:2, and also known as the Micromix, it is a smaller, six channel mixer, with only

one auxiliary send and return, no EQ, smaller level controls and limited metering.

Synthesizers:
- Subtractor Analogue Synthesizer - Subtractor is a polyphonic synthesizer device based on subtractive synthesis, which is

the method used in classic, analog synthesizers. Its two oscillators can produce basic waveforms such as square, sawtooth,

triangle, and sine. Additional waveforms based on samples can also be generated. The Subtractor device can be completely

automated from a controlling device, such as Reason's sequencer.
- Thor Polysonic Synthesizer - The Thor device simulates a semi-modular synthesizer. Six filter and oscillator slots let you

load up three different filter modules and three different oscillator modules simultaneously, allowing you to dial in novel

sounds. A modulation matrix gives you complete control over your signal flow, letting you modulate anything within Thor.

Thor also has a simulation of an analog style step sequencer with more than one twist.
- Malstrm Graintable Synthesizer - The Malstrm device creates its sounds using Graintable technology. This technology is a

cross between granular synthesis and wavetable synthesis. Malstr?m features many filtering and modulation options. It is

capable of real-time waveform stretching, spectral modulation, and wavetable sweeping. Malstr?m comes with a wide range of

Graintables.

Samplers:
- NN-19 Digital Sampler - The NN-19 device is Reason's original sampler, introduced in the first version. All of the

controls on the NN-19 can be fully automated from a controlling device. There are two ways of getting sound out of NN19:

load a single wav/aiff sample or load a sampler patch. Loading a single wav/aiff file will instantly transpose the audio

across the keyboard by speeding up or slowing down the playback of the sample. The NN19 can import and play mono or stereo

files.
- NN-XT Advanced Sampler - The NN-XT device is an advanced sampler with many features. It is designed for working with

multiple samples which can be assigned to different keys on the keyboard. It can be used for both sound design and

instrument emulation. Useful features include alternate sample playback, auto-pitch detection, keyboard zones with

individual parameters, and tempo syncable LFOs.

Rhythm Sequencers:
- Dr. Octo REX Loop Player - This update of the Dr.Rex device, the Dr. Octo Rex Loop Player plays back samples created by

the ReCycle (program) in the .rex and .rx2 formats. These formats allow for manipulation of the sample's tempo without

affecting its pitch. Imagine that you have a sample of a drum loop. The loop is 144 bpm and your track is 118 bpm. Instead

of stretching the sample, which would change the sample's timbre and pitch, ReCycle slices the loop into little pieces so

that each beat gets its own sample. ReCycle also creates a MIDI file with the samples played the way the loop was originally

played.
- Redrum Drum Computer - The Redrum device is a sample-playback drum module with a built in pattern sequencer. It has ten

channels that plays samples loaded individually or from a preset kit. In addition to the pattern sequencer, Redrum can also

be played from Reason's main sequencer or via MIDI.

Mastering:
- MClass Equalizer - The MClass Equalizer is a 4-band, professional level mastering EQ with low and high shelving bands, two

peak filters and a low cut switch. The MClass Equalizer lets you make subtle or drastic frequency adjustments to the audio.
- MClass Stereo Imager - The MClass Stereo Imager splits the incoming audio into low and high frequency bands, and lets you

adjust each independently.
- MClass Compressor - The MClass Compressor is a single-band compressor with a sidechain input for advanced compression such

as ducking or de-essing, and CV out for dynamically controlling other devices.
- MClass Maximizer - The MClass Maximizer is a tool designed to maximize the volume of your Reason tracks, without crushing

them or introducing other unwanted artifacts.

Effects:
- RV7000 Advanced Reverb - The RV7000 contains basic reverb controls located on the main panel, and eight separate knobs for

algorithms and their parameters, which can be accessed from a fold-out remote when pressed.
- Scream 4 Distortion - With Scream 4's cut and body filters, two parameters for its ten modes including overdrive,

distortion, feedback and tape damage, you can use it for digital bit crushing, or regular crushing, or for simulating adding

analog warmth to audio.
- BV512 Digital Vocoder - The BV-512 is a 4 to 512-band vocoder that can modulate sound in several ways, and can also be used as an automated equalizer.
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